Blue Murder: Blue Murder-80’s-1989.

Blue Murder were an English rock band led by guitarist-vocalist John Sykes. The group was formed in 1987 following Sykes’ dismissal from Whitesnake. The initial line-up was rounded out by bassist Tony Franklin and drummer Carmine Appice. In its nascent stage, vocalist Ray Gillen and drummer Cozy Powell were attached to the project. In 1989, Blue Murder released their self-titled debut album, which cracked the Billboard 200 chart and spawned a minor hit with “Jelly Roll”. By the early 1990s, however, Blue Murder’s music had fallen out of fashion with the popularity of grunge. Franklin and Appice left the band, while Sykes put together a new line-up and released Nothin’ But Trouble in 1993. After a live album the following year, Blue Murder were dropped by their record label and broke-up. Since then there have been numerous attempts to reunite the band to no avail.

Formation and debut album (1987–1990)

In 1986, guitarist John Sykes was fired from the English hard rock group Whitesnake by its vocalist David Coverdale.[1][2] Sykes had just finished recording the band’s eponymous album, which would go on to achieve multi-platinum status.[3] He then returned to his home studio in Blackpool, England, and began writing new songs.[4] In February 1987, he began putting together a band.[1] Drummer Cozy Powell was the first to join, having previously played with Sykes in Whitesnake.[4] Next came bassist Tony Franklin, formerly of The Firm, and lastly vocalist Ray Gillen, who had previously fronted Black Sabbath for a short time.[4][5][6] After solidifying their initial line-up, the band recorded some demos and sent them to Geffen Records with whom Sykes had previously worked with as a member of Whitesnake.[7] Prior to this, Sykes had sent Geffen his first demo recordings, which featured him on lead vocals.[7] As it happened, Geffen’s A&R executive John Kalodner preferred Sykes’ vocals to Gillen’s, who were having disagreements over the songs’ musical and vocal approach.[4][7] Eventually, Gillen left after only a few months in the band.[7] In mid-1987, the group signed with Geffen Records, but as they began searching for a new lead singer, Cozy Powell abruptly left to join Black Sabbath, having grown frustrated with the band’s lack of progress.[1] They were then approached by drummer Carmine Appice, who had previously played with Rod StewartVanilla Fudge and King Kobra, among others. In the running was also former Journey drummer (and an ex-bandmate of Sykes in Whitesnake) Aynsley Dunbar, but ultimately the job went to Appice.[8] By early 1988, former Black Sabbath vocalist Tony Martin had been chosen as the band’s new lead singer, but as they were about leave for Vancouver to record their debut album, Martin pulled out. The rest of the group decided to soldier on, figuring they could always find a singer later.[4][9]

In February 1988, the band began recording their debut album with producer Bob Rock.[4] At the same time, they continued to audition singers, among them David Glen Eisley and Derek St. Holmes.[4][7] Unable to find a singer that satisfied all parties, the band and John Kalodner persuaded Sykes to sing lead vocals.[4][10] At Franklin’s suggestion, the band were dubbed Blue Murder, after the British idiom “scream blue murder”.[11] Their debut album, eponymously titled Blue Murder, was released on 24 April 1989.[12] It debuted at number 172 on the Billboard 200 chart, eventually peaking at number 69 in June 1989.[13][14] On the UK Albums Chart, it reached number 45.[15] The record received positive reviews, with Raw‘s Paul Suter giving it a ten out of ten rating and calling it one of “the finest records in an age”.[16] The single “Jelly Roll” also proved to be a minor hit, reaching number fifteen on the Album Rock Tracks chart.[17] In support of their debut album, Blue Murder toured America supporting Bon Jovi and Billy Squier, with additional headline dates in America and Japan.[5][18][19]

While their debut album would go on to sell an estimated 500,000 copies by Sykes’ account, Blue Murder’s success fell short of expectations.[5][20][21] Carmine Appice stated that the decision to release “Valley of the Kings” as the band’s first music video was a mistake, as it was deemed too long and not “commercial enough” for MTV.[9] The song was also not available for purchase as a single, something Franklin felt hurt its success on MTV.[20] Due to the failure of “Valley of the Kings”, MTV refused to play the follow-up video “Jelly Roll”, which Franklin felt prevented it from becoming a crossover hit.[20][22] Sykes felt that Geffen did not properly promote the band, stating: “I think they were trying to get me and David [Coverdale] back together. They wanted me to get back with the ‘winning formula’. But the wounds were too fresh. I stayed with the same label. In hindsight, I would have done better with a different label.”[21][23]

Decline and dissolution (1991–1994)

With the release of Nirvana‘s Nevermind in 1991, grunge had become popular in the mainstream, leaving groups such as Blue Murder “out of vogue”.[20] According to Appice and Franklin, Sykes was deeply affected by the failure of Blue Murder’s debut album, which led to a long period of inactivity.[20][24] Though Sykes did eventually start work on a new album, progress was still slow.[20][25] This was partly due to Sykes producing the record himself, for which he built an entirely new home studio.[18] Eventually, Appice and Franklin grew tired of waiting and left the band.[20][25] Sykes then recruited bassist Marco Mendoza and drummer Tommy O’Steen to the band,[18] while keyboardist Nik Green was promoted to a full-time member, having already played on the group’s debut album.[26] However, Franklin had already laid down tracks for Blue Murder’s second album, while Carmine Appice was brought back briefly as a session drummer.[20][25] Sykes also recruited former Baton Rouge vocalist-guitarist Kelly Keeling, but he reportedly left the band a day before shooting a new music video.[27][28]

Blue Murder released Nothin’ But Trouble on 31 August 1993.[29] The record received positive reviews, though it was perceived by critics as a step-down from the band’s debut.[30][31] The single “We All Fall Down” reached number 35 on the Album Rock Tracks chart, but the record itself failed to chart.[32] Sykes once again attributed this to Geffen, who he felt “didn’t do anything” to promote the record.[23] In 1994, the band released the live album Screaming Blue Murder: Dedicated to Phil Lynott, which was recorded in Tokyo. Having fulfilled their contractual obligations to their label, Blue Murder were dropped by Geffen. Sykes signed to Mercury Records in Japan, taking Mendoza and O’Steen with him to play in his solo band.[21]

Proposed reunion (2000–present)

There have been numerous attempts to reunite Blue Murder over the years. According to Carmine Appice, he made several attempts to reunite the group between 2000 and 2012 to no avail.[33] When asked in a 2001 interview if there will be another Blue Murder album, Sykes responded: “Maybe at some point there will be. I don’t know.”[7] In 2019, Carmine Appice revealed that the group had rehearsed together, but Sykes wanted the band to tour under the moniker John Sykes & Blue Murder, something Appice was unwilling to do.[34] In 2020, Appice stated that he and Sykes had once again talked about the possibility of a Blue Murder reunion, but nothing came of the conversation.[35]

Former members

Discography:

Studio albums

Live albums

One response to “Blue Murder: Blue Murder-80’s-1989.”

  1. Rock Candy Records has mined another gem from the hard rock quarry! This time around it is the debut album by supergroup Blue Murder. The album, originally released in 1989, was the brainchild of former Whitesnake guitarist John Sykes.

    It was Sykes who brought mega success to Whitesnake with his guitar playing on the USA version of Slide It In and his songwriting, and playing, on the album Whitesnake. Despite his contributions to the Snake’s success, David Coverdale removed him from the band to make way for Steve Vai.

    Sykes put together a band with veteran drummer Carmine Appice and former The Firm bassist Tony Franklin. Sykes was reluctant to take on lead vocals, but after being prodded by record executive John Kalodner, he gave it a shot. And it worked fine, as he did a great job blasting out the tunes on the album.

    The music was, at times, heavier than what Whitesnake had been, but there were plenty of clues, if one listened carefully to the music to realize that this would have made a damn fine Whitesnake album, had Sykes has stayed in fold.

    The album begins with one of the best tunes on the album, “Riot.” As with all songs on the album, when it comes time to solo, John blasts it to the moon. He can flat out play and his solos on this album are fueled by his desire to make his new band every bit as great as his former band.

    “Jelly Roll” was the MTV hit and features a softer, more hair band approach, while “Valley of the Kings,” co-written by one of the people considered for the vocalist job in the band, Tony Martin, is a pure Spinal Tap with a great guitarist rocker.

    “Sex Child” is the best and worst on the album. It is the best guitar riff, but one of the worst song titles…ever. The song, however, does rock, no denying that. But, lyrically, well…it’s not very politically correct!

    “Blue Murder” has writing credits by the entire band and was set up to be a great anthem. “Black-Hearted Woman,” another band written track, ends the album with brute power.

    This is a great debut album from a band that should have been much more popular than they were. The album did okay, sales wise, but it was not the powerhouse people thought it would be. To bad, really, as it would have been interesting to see where this band would have gone if the album had been a smash.

    As it stood, the band released a follow-up studio effort in 1993 and a live album the following year before calling it quits.

    The Rock Candy version features a great booklet with an interview with John Sykes conducted by rock scribe Malcolm Dome.

    This is a great hard rock album that time almost forgot! Good thing we have record companies still around like Rock Candy bringing great music where it deserves to be, back to life.

    By Jeb Wright

    Liked by 1 person

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